Sam
Chell’s “Saturday Night Bandstand” hits the airwaves Saturdays
at 7:00 p.m.
Sam specializes in playing the favorites—music from great artists, both
past and present. You’ll hear Ellington, Sinatra, Basie, Kenton, Fitzgerald,
Holiday and more.
Sam’s style is just as smooth as the music he plays. In addition to being
a jazz aficionado, Sam is a Carthage English Professor and an accomplished performing
pianist. Hear some interesting anecdotes while being entertained by the best
in jazz.
Sam's shows can also be heard throughout the day on WGTD-HD2.
June 18:
"Sinatra's melt-down recorded and released for the first time." Shortly after
establishing his own recording company, Reprise Records, Frank Sinatra hired a
young Johnny Mandel (admired today above all other living arranger-composers) to
provide the orchestrations for the Chair's first release on his own start-up
label, a session entitled "Ring-A-Ding Ding." The album has just been
remastered and reissued in a form that's bound to be as controversial as it is
essential to anyone interested in the music of Frank Sinatra. For a change, all
of the post-production effects (called "wetness" in the trade) have been
removed. The result is a voice sounding as "dry" as ever, every hint of reverb
wrung out in favor of the natural grit and grain of the Sinatra at his "natural"
best. But besides the sound, there's the matter of content. For the first time
ever, the listener has the opportunity to hear two of the out-takes from the
session, including Sinatra's 11-minute abortive attempt to record Rodgers and
Hart's "Have You Met Miss Jones," during which we hear Frank both sing and talk
throughout the ordeal. And you can join in on the "fun" (?) by joining us this
Saturday Night on WGTD-HD at 7 P.M.
June 25:
"Bill Evans' Legendary Vanguard Session: The 50th Anniversary of the Most
Seminal Piano Recording in the History of Jazz." Ten years ago the New Yorker
magazine devoted an article to the Sunday afternoon--June 21, 1961--when musical
history was made--under adverse circumstances (and the public's radar)--when
Bill Evans took his new trio with brilliant bassist Scott LaFaro into New York's
Village Vanguard, the oldest jazz club in America (and the world). Despite
minimal recording equipment, electrical power failures and an inexperienced,
"substitute" engineer, the Bill Evans trio recorded an album that changed the
course of jazz piano and the very nature of the jazz piano trios thereafter.
Many reissues and much repackaging of the "sacred" music of that holy day has
ensued. But in 2005 the complete proceedings were gathered together for a
definitive, comprehensive release: "Bill Evans: The Complete Village Vanguard
Recordings, 1961." Join us this Saturday Night at 7 P.M. to discover what all
the fuss was about--and to have a ring-side seat on the sublime yet
extemporaneous music that provoked it.